LOUISIANA RED HOT RECORDS

Posts in the HERITAGE category

“He has no competition in his genres, he’s the Jimmy Hendrix of the accordion.” – Rolling Stone magazine

Born March 3, 1979 in Lafayette, Louisiana, was the last of eight children of Rockin’ Dopsie, Sr., a pioneer of Zydeco music. To this day, Dwayne attributes his passion and prodigious abilities to his father, but the truth is he was simply born to play this music. “This is my calling – Zydeco music is in my blood and it is my heart and soul.”

A virtuoso tradition holder with a high power style of his own, Dwayne Dopsie and his band, the genre defying Zydeco Hellraisers have thrilled audiences over 40 countries and hundreds of cities since his debut at age 19. Dopsie and the Zydeco Hellraisers have enjoyed National exposure with outlets like Rolling Stone Magazine, Good morning America, CBS this morning, Food Network, and The Jamie Kennedy experiment, and his latest release was nominated for a Grammy in 2018. Louisiana Red Hot looks forward to releasing his national debut followup in early 2019.

Kaleidoscoped Cover Art

With a taste of practically everything New Orleans funk is good for, Kaleidoscoped is the taut, focused, fun and effortless follow-up follow up to the 2014 Louisiana Red Hot release Ouroboros. New Orleans Suspects is a Supergroup behemoth, bringing together some of the best, most highly respected players in New Orleans including: Reggie Scanlan on bass (The Radiators, Professor Longhair Band); “Mean” Willie Green on drums (Neville Bros.); Jeff Watkins on saxophone (James Brown Band, Joss Stone Band); Jake Eckert on guitar/vocals (Dirty Dozen Brass Band); and CR Gruver on keyboards and vocals (Polytoxic, Outformation). The Suspects’ experience and versatility rivals any band that New Orleans has ever produced, and
the album cover’s prismatic eye hints at the colorfully distorted lens used for a variegated look at traditional, roots, and psychedelic funk music that only they can deliver.

 
 

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dirty word“Ivan’s so good…I play with him.” – Keith Richards

“Dumstaphunk has grown from a small side project into one of music’s most prestigious modern funk ensembles.” – Rolling Stone

A decade into the formation of Dumpstaphunk, the New Orleans’ all-star collective – Ivan Neville (vocals, B3 and Clav), the double bass attack and soulful voices of Tony Hall and Nick Daniels III, Ian Neville on guitar, and the monster addition of Nikki Glaspie (formerly with Beyonce’s all-female band) on drums and vocals – releases their third studio album, Dirty Word.

Initially started as an impromptu line-up of some of New Orleans’ tightest players, hand-picked by Ivan Neville to accompany his 2003 New Orleans Jazz & Heritage Festival performance, Dumpstaphunk has become a stalwart touring act, richly deserving the title “Heavyweight Champions of Funk.” Press accolades for the band have ranged from the New York Times hailing, in 2007, “Dumpstaphunk is the best funk band from New Orleans right now,” to Bass Player Magazine saying, “The colossal low end and filthy grooves they threw down from the Gentilly Stage must have set a Jazz Fest record for baddest bass jams ever.”

Dirty Word offers a fresh and varied take on funk, blues, gospel, second-line, R&B and rock ’n’ roll. The album features special guest appearances by Art Neville, Trombone Shorty, Rebirth Brass Band, Skerik, Ani DiFranco and Flea (Red Hot Chili Peppers). Catch the band, supporting the album with major venue and festival appearances, throughout 2013. But be forewarned…the groove will be nasty and the funk will be deep!

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VARIOUS: New Orleans Gospel Tent

various - new orleans gospel tentThe city of New Orleans has always been considered the motherland of black gospel music, although the true richness of New Orleans’ rich spiritual tradition has actually remained largely unknown beyond the city itself. Every year, this “secret” is let loose to the outside world at outdoor concerts on the edge of New Orleans’ French Quarter, and at spirited performances in an outdoor tent that’s become one of the most celebrated and famous traditions of the New Orleans Jazz Fest. For the first time, there is now a single CD with national distribution that captures the spirit and excitement of New Orleans gospel music at its very best. This record is simply the only one of its kind, an unprecedented, definitive guide to the best of Louisiana gospel music, with virtually all the major performers represented.

In addition to traditional gospel audiences and the pent-up demand created by scores of Jazz Fest attendees, The New Orleans Gospel Tent also holds a crossover appeal to the awakened roots music market in America (Blind Boys Of Alabama, O Brother Where Art Thou?).

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RODERICK PAULIN

Roderick PaulinBIO

Native New Orleanian Roderick Paulin is blazing his own trail keeping the rich New Orleans music tradition alive in non-traditional ways. Roderick is known as being the lynchpin of The Rebirth Brass Band where he composed and arranged anthems that went outside of the ‘normal’ brass band sound with intricate harmonies, rhythms, and mainstream music concepts which attracted younger audiences. That new interest in the music was needed because at that time a lot of the older traditional players weren’t able to accommodate the physical demands of walking the long routes of second-line parades and a shift in music was happening with the younger cats. The social-aid and pleasure clubs themselves that employed the bands, reaped the benefits from this shift in the music because they were now bombarded with new members wanting to parade to this ‘new’ style of music that Rebirth was playing and Roderick was behind the scenes composing and arranging the new modal type of brass band music.


PRESS

“…Paulin possesses a chameleonlike command of his tenor, living up to his legacy as the son of New Orleans trumpeter “Doc” Paulin.”  – Patricia Myers, JazzTimes.com

 

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