LOUISIANA RED HOT RECORDS

Posts in the POP category

Imagine a child of the 80s/90s underground scene falling in with a 70s prog, classically-trained cellist. What do ya get? A refreshing and often unexpected sound. The Two’s are hitting the road this summer with their new release Push On.

The Two’s new EP release Push On showcases the duo’s musical styles covering rock, roots, bluegrass, and classical. The writing and arrangements intentionally work the interplay between the vocal and the cello supported by a rhythmic foundation of guitar and percussion. Recorded in New Orleans by Adam Keil, the five-track EP was mixed by Ben Lorio and Grammy winner Sylvia Massy. The Two’s have opened for such acts as rock legend Heart, international pop Star Zucchero, Dave Matthew’s side man Tim Reynolds, and have placed music on the Emmy award-winning show “Nip/Tuck.”

About Ruby Rendrag
Ruby – the band octopus – delivers a sultry vocal and sets the groove with her guitar and foot-drum kit. She was born to a Houma Indian Mother and a banjo playing, West Virginian Father. Ruby has been a part of the New Orleans music scene for over 18 years performing as a solo artist, and as a side woman with many local acts. She lives a life immersed in music. As owner and manager of NOLA Muse, she helps local, national, and international artists plan and execute their recording projects. She infuses The Two’s with her bluegrass-Led Zeppelin-80’s underground influences.

About Suki Kuehn
Cellist Suki Kuehn was made in Japan (a Navy brat). Growing up he was exposed by his parents to every kind of classical and theatrical music. Although he became an nuclear engineer, Suki has studied cello “on the side” from the fifth grade on. He has lived throughout the US, finally settling in New Orleans after a stint driving subs for the Navy. He plays either an old French cello that for who-knows-how-long lived in a barn south of Paris, or a battered German cello bought from an ancient woman in a dark French Quarter alley. Using a few tasteful effects, Suki weaves texture and force into every song, hinting at rock, folk, jazz, and classical styles.

National Street Date: 7/5/2019

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“a force to be reckoned with…its the vulnerability and sincerity that comes through…” – AfroPunk.com

Cole Williams hit the ground running when she moved to New Orleans from Brooklyn in 2014. Within her first year, she made herself a fixture on the scene, earning the respect and appreciation of fans and culture bearers alike. Her 2015 appearance at Jazzfest was held as “uplifting and transformative,” and Williams has only continued to grow since then.

Born to Jamaican immigrant parents, Williams made a name for herself as a frontman and co-writer for the Pimps of Joytime, sharing stages with India.Arie, Lauryn Hill, and Emily King among others. Her anthemic new solo release Believeis progressive opus that fuses electronic music, pop, blues, gospel and r&b sounds over a bed of Afrocentric rhythms. The skillfully self-produced work is poised to place Williams on the map among indie, The lyrics are hopeful and all-inclusive while Williams’ committed and soulful vocals conjure the hope of something to believe in.

 

National Street Date: 5/21/2019

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722512394971​​”Lilli Lewis has Sister Rosetta Tharpe’s virtuoso commitment to her instrument and Odetta’s vocal power, creating a show that is a force of nature.” Eric Cager, Cutting Edge CE

Emerging Psychedelic folk-rock and soul diva Lilli Lewis unleashes her national debut on Louisiana Red Hot with her latest single “O, Let Your Light Shine Bright.” Lewis is an award-winning pianist, composer, and songstress of rare grace and grit who conjures the likes of Sister Rosetta Tharpe, Big Mama Thornton, Odetta, and Janis Joplin when in full gear. The Athens, Georgia native first made her presence known in New Orleans through “The Shiz,” her indie rock and soul band known as the Alabama Shakes of the Northshore. Lewis made her home here in New Orleans in 2014, and immediately began performing with some of the city’s favorites including Betty Shirley, Sharon Martin, and sousaphone maestro Kirk Joseph’s Backyard Groove.

In 2016, following an independent release of a new EP Orange Music, Vol. 1, Lewis teamed up with Louisiana Red Hot Records for national debut release with her latest single “O, Let Your Light Shine Bright,” making her the only woman currently represented among Louisiana Red Hot’s esteemed roster. Co-produced by Lewis with TJ Barends, the single is a warm and unassuming invitation that sinks easily beneath the skin while its B side “Walk Upon Water” is an all-out festival style jam complete with a saxophone chorus and searing guitar work.

With vocals said to have “enough energy to power a large city,” Lewis brings her songs of empowerment and personal responsibility to ever widening audiences, never failing to deliver “innovative, soulful music that will never go out of style.” www.lillilewis.com

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THE LAST HOMBRES: Odd Fellows Rest

lost hombres - odd fellows rest“The return of The Last Hombres is one of the most anticipated reunions of the year.” — Steve Matteo, Pulse Magazine

The Last Hombres and American icons, the Band, share more than just great songwriting, expert musicianship, rocking country melodies and a rhythm section reminiscent of Stax. Indeed it was band luminaries Buddy Cage, Rick Danko and Levon Helm that helped nudge The Last Hombres into existence, with Levon joining principal songwriters Paul Schmitz (guitar, vocals), Michael Meehan (bass, vocals), and Russ Seeger (guitars, vocals) for a two year stint and the acclaimed 2003 album Redemption.

Eventually, Levon decided to stay closer to home, leaving the remaining tres Hombres to spin apart. A decade of side gigs, studio work and solo projects followed, until drummer Tom Ryan convinced the Hombres to reform, along with multi instrumentalist Chris James. The result – Odd Fellows Rest – a superb album of literate roots rock, surrealistic alternative country, and dusk colored gypsy outlaw ballads.

The Last Hombres restless ride from Long Island to Laredo via New Orleans is studded with ruggedly defiant, whisky-drinking men and their seductive, tainted women. That journey is best captured in the desperado masterpiece “Unforgiven Man,” surely a candidate for Americana song of the year. Clint Eastwood would be proud. It proves that there are still real musicians riding tall, playing badass music, and writing muscular, deep songs (no pop studio tricks here, mister!). They’re called The Last Hombres.


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THE LAST HOMBRES

Last HombresBIO

The Last Hombres and American icons, the Band, share more than just great songwriting, expert musicianship, rocking country melodies and a rhythm section reminiscent of Stax. Indeed it was band luminaries Buddy Cage, Rick Danko and Levon Helm that helped nudge The Last Hombres into existence, with Levon joining principal songwriters Paul Schmitz (guitar, vocals), Michael Meehan (bass, vocals), and Russ Seeger (guitars, vocals) for a two year stint and the acclaimed 2003 album Redemption.

Eventually, Levon decided to stay closer to home, leaving the remaining tres Hombres to spin apart. A decade of side gigs, studio work and solo projects followed, until drummer Tom Ryan convinced the Hombres to reform, along with multi instrumentalist Chris James. The result – Odd Fellows Rest – a superb album of literate roots rock, surrealistic alternative country, and dusk colored gypsy outlaw ballads.


PRESS

“It’s unusual to kick off and close your first album in 11 years with the New Orleans funeral sound of the Hot 8 Brass Band, but little about The Last Hombres follows any sort of blueprint…” – Hal Horowitz, American Songwriter

“Spacey keyboards native to that of The Doors are greeted by Tom Petty-esque vocals which are laced with twangy, steel guitars. These are the sounds heard on The Last Hombres’s album Odd Fellows Rest. This album seems like that of an elaborate experiment; mixing and blending their favorite technicalities from different genres of music. The result? A master craft style of music.” – Jackie Howell, Blues Rock Review

“The Last Hombres make the kind of old school blues rock books are written about. It’s salty, swaggering, sweaty, and soaring at all the right moments. Their latest opus Odd Fellows Rest carries on that tradition successfully as well, making for one of their best outings yet.” – Rick Florino, Artist Direct

www.thelasthombres.com

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