LOUISIANA RED HOT RECORDS

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“The Henderson Sessions” is an exquisitely intimate self-portrait with Lilli Lewis’s vocals set to the barest of piano accompaniment. The record was co-produced by Lewis alongside James “Jimbo” Walsh (HBO’s Treme) and Mark Bingham (Allen Ginsburg, REM, Sun-Ra) at a studio built in a country home in Henderson, LA that was once used as refuge for Walsh’s musical community after Hurricane Katrina. When the three teamed up to demo songs for a full band album, they found the songs had something useful to say in their most raw, earnest, and primitive incarnation.

​Award-winning singer/songwriter Lilli Lewis grew up on a dirt road on the outskirts of Athens, GA. She is the daughter of a southern minister and a Chicago reared civil rights activist, and her bent towards social justice is reflected in her music and stage show. The prolific writer, composer, pianist, and producer has been composing music since she started playing piano at the age of three. Lewis is known for her powerful vocals and progressive message. The classically trained “folk-rock diva” is a sought after featured performer on main stages across the United States and abroad. In 2017, feminist folk trio The Malvinas recorded Lilli’s “O, Let Your Light Shine Bright” (Louisiana Red Hot, 2016) on God Bless the Grass (Soona Songs). Lewis made New Orleans her home in 2013 where she performs regularly as a soloist and with her acoustic soul orchestra, The Lilli Lewis Project (LLP). Lewis is also a current member of sousaphone master Kirk Joseph’s Backyard Groove.

Due out 2/16/2018

Kaleidoscoped Cover Art

With a taste of practically everything New Orleans funk is good for, Kaleidoscoped is the taut, focused, fun and effortless follow-up follow up to the 2014 Louisiana Red Hot release Ouroboros. New Orleans Suspects is a Supergroup behemoth, bringing together some of the best, most highly respected players in New Orleans including: Reggie Scanlan on bass (The Radiators, Professor Longhair Band); “Mean” Willie Green on drums (Neville Bros.); Jeff Watkins on saxophone (James Brown Band, Joss Stone Band); Jake Eckert on guitar/vocals (Dirty Dozen Brass Band); and CR Gruver on keyboards and vocals (Polytoxic, Outformation). The Suspects’ experience and versatility rivals any band that New Orleans has ever produced, and
the album cover’s prismatic eye hints at the colorfully distorted lens used for a variegated look at traditional, roots, and psychedelic funk music that only they can deliver.

 
 

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Jonathon Boogie Long - Trying To Get There“Long plays with intensity and fire, as if the riffs come directly from his soul.” Kim Welsh, OffBeat Magazine

Young blues phenom Jonathon “Boogie” Long used the crown he earned as Guitar Center’s “King Of The Blues” as a push to discover himself as the complete artist we meet on his national debut release Trying To Get There. His defining sense of confidence thrusts the album out the gate with the heavy hitting “Head Over Heels,” leading the listener across the varied terrain of Blues, R&B and Country that only an authentic Louisiana slinger could. As the “Boogie” name has filtered its way around blues, Jonathon has found himself on stage with a host of legends including Greg Allman and ZZ Top.

Revealing both his fire and awe inspiring facility, Long delivers a merciless and striking album that nods a head to his roots while driving deliberately into the future. Capturing the high energy and signature confidence of his live show, Trying to Get There is the perfect introduction to the true talent of Jonathon Boogie Long.


Available Now! at Louisiana Music Factory
National Street Date: 8/19/2016

Pre-Order Online!
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Corey Henry - Lapeitah“The Next Funk Superstar from New Orleans”

The former leader of the Little Rascals Brass band turned favorite lead player for New Orleans jam band phenom Galactic, Corey Henry stepping out with Lapeitah, his national debut release from Louisiana Red Hot Records. Another outstanding Treme trombonist in the tradition of Trombone Shorty and Glen David Andrews, the Treme Funktet frontman is himself a brass band funk master with a rich pedigree that reads like a New Orleans royal coat of arms. While Corey’s original bands have created many of the most popular songs on the second line scene, on Lapeitah, Henry teams up with Brooklyn based Pimps of Joytime producer Brian J to breathe new life into the notoriously infectious brass/funk sound.

With guest appearances from heavy hitters like Corey Glover from Living Colour and Greg Thomas from George Clinton & Parliament Funkadelic, the album’s thrust lies in its ability to sweep from the broad, epic rock of Jimi Hendrix’s “If 6 Was 9,” to the timeless whoop and holler of the absolute new standard in second-line pride song found in “Baby C’mon,” with push-to- the-edge vocal from Cole Williams. Featuring one of the last known recordings of the late Trumpet Black and a keep-it- in-the- family collaboration with Henry’s daughter Jazz, the album plays like a 6th Ward block party, complete with youthful wit and the aged wisdom of the old guard porch stoopers. Equal parts anthemic and soulful, Lapeitah is most importantly, unbelievably funky.

Available Now! at Louisiana Music Factory
National Street Date: 6/24/2016

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Gregg Martinez: Soul of the Bayou

One of the most powerful, knock-the-paint-of-the-wall vocalists South Louisiana has ever produced” – Offbeat Magazine

A premier, powerhouse vocalist from the Spanish Creoles of Bayou Lafourche of Louisiana, the sensationally soulful Gregg Martinez was recognized early on in local churches and bars with comparisons to Sam Cooke and Luther Vandross. The young Martinez rapidly ascended all the way to an exclusive contract with billionaire Donald Trump in Atlantic City, and a seven- figure recording deal with multi-platinum Philly producers Victor Carstarphen and Keith Benson. When the bubble burst on the brink of stardom, Martinez found himself returning to his native Bayou, crooning the Blues and Soul of his roots, ultimately bringing him the recent incredible honor of singing for the funeral of the great Percy Sledge.

On his latest collection, Soul of the Bayou, Gregg Martinez delivers the deep, healing kind of soul that only this veteran baritone knows how to conjure. Produced and engineered by Grammy award-winning Tony Daigle (Hunter Hayes, John Cleary), Martinez’s 11th studio album showcases his astounding versatility as a vocalist and performer. While the blues-driven grooves of “I Can’t Stand the Rain” and “If You Want Me to Stay” prove that Martinez can still pack the dance floor, the mournfully piercing ballads of “Who’s Loving You” and “You’ve Got to Hurt Before You Heal” remind listeners that this is a voice of a man who has lived through it all. With stellar, standout performances from Charles Ventre on keyboards, Gregg Kingston on slide guitar, and Pat Breaux on sax, not to mention all the grit guitar titan Sonny Landreth offers on “That Old Wind,” Soul of the Bayou soars out of the swamps and onto a plain untouchable by time.

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