LOUISIANA RED HOT RECORDS

Posts in the NEW RELEASES category

Poison & Medicine cover“Poison & Medicine possesses catchy hooks, compelling introspection and songs that are simply fun to sing along to, marking perhaps a watershed moment in the already locally adored and internationally in-demand 45-year-old Stone’s career.”
– Frank Etheridge, Offbeat Magazine, New Orleans

New York City-born, New Orleans-adopted guitarist Marc Stone has become one of the most respected Blues and Roots artists in the Crescent City, earning him a “Best Blues Artist” nomination from Offbeat Magazine. Stone has spent the last 20+ years backing such an astounding litany of Louisiana Blues, R&B and Zydeco legends including Eddie Bo, Ernie K-Doe, Marva Wright, Tommy Ridgely, Marcia Ball, Henry Gray, Rockin’ Dopsie, C.J. Chenier, and Grammy winner Terrance Simien. Stone original music weds an impressive roots-music pedigree with red-hot slide playing and outstanding storytelling.

Stone’s impressive roots-music pedigree, red-hot slide playing and outstanding storytelling are all on fine display with his Louisiana Red Hot Records debut. The album features a stellar cast of New Orleans guests including percussion wizard Mike Dillon, the Bonerama Horns, the late great tenor sax master Tim Green, members of Galactic, Honey Island Swamp Band, and the Dirty Dozen Brass Band. Add to that a host of legendary vocalists including Big Al Carson, Benny Turner and Tanya and Lillian Boutte, the “family-affair” assembly drives a ground-breaking offering that spans the Southern musical spectrum from gospel to R&B and haunting Delta Swamp Blues.

2015 saw a breakthrough year for the New Orleans blues veteran that included two European tours, a Northeast tour in the fall, and the Marc Stone moniker added to Louisiana Red Hot Records’ powerhouse roster that includes the Honey Island Swamp Band, Ivan Neville and Dumpstaphunk, Glen David Andrews, and the New Orleans Suspects. Poison & Medicine is a grit and gristle collection of contemporary roots and blues with a seasoned and skillful architect at the helm.

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Colin Lake - One Thing Album Cover“Songs as sturdy as his fleet-fingered, blues-based guitar skills”
– Keith Spera, Times Picayune

While scores of talented young musicians have flocked to New Orleans in the years following Hurricane Katrina, among the most outstanding is Pacific Northwest native Colin Lake, whose passion for life and innate feel for roots music makes him perfectly suited to the culture of the Crescent City. Lake quickly established himself as a subtle yet dynamic slide guitar master, performing at New Orleans Jazz and Heritage Festival, Austin City Limits Fest, Hangout Festival, the Key West Songwriters Festival and French Quarter Festival. His soulful vocals and searing touch on the lap steel reveal an affinity for the works of countless blues greats, but his knack for original song craft truly sets him apart.

Lake shines in his Louisiana Red Hot debut, One Thing That’s For Sure. Produced by Eric Heigle (Arcade Fire, Lost Bayou Ramblers, Givers, Dr. John).He is joined by the cream of the young crop of southern musicians; including Luther Dickenson (North Mississippi All Stars), Maggie Koerner (Galactic), jazz vocalist Sasha Masakowski and actress/singer Topsy Chapman (12 Years a Slave). Paired with a band that includes veteran keyboardist Marc Adams (Eric Lindell, Tab Benoit, Marva Wright), bassist Bill Richard, and drummer Erik Golson, Lake delivers an album that moves from sunny summer jams to powerful love songs, haunting instrumentals and dark, scorching rockers. Fans of roots music, blues, soul and jam bands will find much to love here.

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D3001“One thing blues ain’t is funny” – Stephen Stills […Obviously Mr. Stills has never sat in with John Lisi…]

Since bursting onto the scene in 1998, John Lisi has been hailed as one of the best guitarist slingers in Louisiana – a major rave for the most musical place in all the world. Indeed, Lisi is a master of the Dobro, mandolin, resonator and Stratocaster, as well as offbeat portrayals of everyday life turned into funky-bluesy-body-shakin’ music that just makes a person feel better.

Lisi not only thrives on the work…he loves what he does with “an unshakable belief in [his] original songs and being able to deliver them live, as well as honestly enjoying creating and performing.”

“Shut the Front Door” is Lisi’s brand of “delta funk” – that Big Easy blend of blues, rock, boogie and deep-fried funk – complete with the all essential ingredients: sassy female background vocals, kickin’ horns, in-the-pocket rhythm section, topped with stunning guitar riffs. If you have a taste for Delta cooking, then this, my friend, is your genuine, finger-lickin’ chicken on the bone!

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Day Ain't Done Album Cover“Sekhani’s alternative country gumbo of guitar, Dobro, fiddle, mandolin and more can hang with the best of them” – Herman Fuselier, Music Writer

Known as the leader of the fiery, rockabilly gospel band, the Mercy Brothers, or for his twenty years in the Austin music scene, prodigal son Kevin Sekhani has finally returned to native Lafayette, LA. The result? …a superb national solo debut, “Day Ain’t Done.”

“Day Ain’t Done” is Sekhani’s ode to the working man and their concerns, further enhancing his reputation as one of the outstanding songwriters in the Deep South. This celebration of cane cutters and oil field roughnecks is backed by a crackerjack band of John Mellencamp, Patty Griffin and Son Volt veterans. Equally at home in the dance halls of South Louisiana, or the honky-tonks of the Hill Country, Hank Williams would be proud!

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glen david andrews - redemption“ONE OF THE GIANT TALENTS OF NEW ORLEANS” – Quint Davis, Producer, New Orleans Jazz and Heritage Festival

Comparisons between Glen David Andrews and his more famous cousin Trombone Shorty are inevitable. Yes, they are first cousins, they both play trombone, and they were both reared in the musically fertile mean streets of New Orleans’ Treme neighborhood (subject of the HBO series, in
which Glen David frequently appears as himself). But where Shorty might be arguably the better trombonist, Glen David wows as the superior vocalist/entertainer. And while Shorty leans toward contemporary jazz these days, Glen David’s Redemption stays closer to his roots – cooking R&B, Gospel, Blues and Jazz, into a rich, dark Creole gumbo of soulful, rocking Funk, delivered with the seaering energy of a New Orleans heat wave.

Glen David Andrews is the voice and spirit of New Orleans – the very embodiment of the Crescent City’s recent struggles and glorious return from near ruin – with Redemption as his own personal odyssey to salvation. It is the apex of years of entrancing performances at the New Orleans Jazz Fest, Lincoln Center, Preservation Hall, Tipitina’s, and – most powerfully of all – the streets of New Orleans where it all began.

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