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Day Ain't Done Album Cover“Sekhani’s alternative country gumbo of guitar, Dobro, fiddle, mandolin and more can hang with the best of them” – Herman Fuselier, Music Writer

Known as the leader of the fiery, rockabilly gospel band, the Mercy Brothers, or for his twenty years in the Austin music scene, prodigal son Kevin Sekhani has finally returned to native Lafayette, LA. The result? …a superb national solo debut, “Day Ain’t Done.”

“Day Ain’t Done” is Sekhani’s ode to the working man and their concerns, further enhancing his reputation as one of the outstanding songwriters in the Deep South. This celebration of cane cutters and oil field roughnecks is backed by a crackerjack band of John Mellencamp, Patty Griffin and Son Volt veterans. Equally at home in the dance halls of South Louisiana, or the honky-tonks of the Hill Country, Hank Williams would be proud!

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Kevin-Solo-Promo-2013Lafayette, Louisiana native Kevin Sekhani returned to his roots in 2010 after 20 years playing on the Austin, Texas music scene, determined to release his first solo album and combine the influences of two of the best musical regions in the world. He has succeeded in spades with “Day Ain’t Done,” his solo debut for Louisiana Red Hot Records. His songwriting was honed from years of collaborations and jam sessions with the legendary wordsmith Bill Carter, who wrote hits for Stevie Ray Vaughan, The Fabulous Thunderbirds, Counting Crows, Waylon Jennings, and others, so the time was right for an album that No Depression called “…one of the best debut albums I’ve heard in years.” With backing from members of the backing bands of Son Volt, John Mellencamp, and Patty Griffin, it’s layered with Americana staple instrumentation.

Taking the earthy tones of violin, mandolin, accordion and acoustic guitars, it exudes the feeling of back porch jam on a Louisiana Saturday night. The album’s track “Oilfield Tan” has found its way into regular rotation on local Louisiana and Texas radio stations, resonating amongst an area all too familiar with the demanding industry of oilfield work.

As a 20 year veteran of the Austin music scene playing in bands like the Radio Thieves and Two Minute Sinatra, Kevin Sekhani has done it all. From blazing rock-n-roll to holy ghost honky tonk in the Mercy Brothers, for years Sekhani has entertained crowds with heartfelt enthusiasm and poignant lyrics. In Austin, Sekhani spent his time working with Michael Ramos (John Mellencamp, Patty Griffin), Andrew Duplantis (Son Volt), and string player extraordinaire Warren Hood. In 2010, Sekhani moved back to his home town of Lafayette, Louisiana to front The Mercy Brothers, a Gospel group walking the fine line of sinners and saints. Since his return home, he has won over the hearts of Jazz Fest and Festival International audiences and landed a top 5 spot on the Americana charts in Europe.

For promos or more information contact Heather West, Western Publicity, 773/301-5767.

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As a 20 year veteran of the Austin music scene, Kevin Sekhani has done it all. From blazing rock-n-roll to Holy Ghost Honkytonk, Sekhani never fails to entertain crowds with heartfelt enthusiasm and poignant lyrics.

Spending time in Austin working with Michael Ramos (John Mellencamp, Patty Griffin), Andrew Duplantis (Son Volt), and Austin Chronicle’s three-time String Player of the Year winner Warren Hood. In 2010, Sekhani moved back to his home town of Lafayette, Louisiana to front The Mercy Brothers, a Gospel group walking the fine line of sinners and saints.

Since the prodigal son’s return home, he has won over the hearts of Jazz Fest and Festival International audiences, landed a top 5 spot on the Americana charts in Europe with The Mercy Brothers debut release, toured Sweden, and signed his Gospel group to Louisiana Red Hot Records.

Honed from years of collaborations and jam sessions with the legendary wordsmith Bill Carter, who wrote hits for Stevie Ray Vaughan, The Fabulous Thunderbirds, Counting Crows, Waylon Jennings and others, Sekhani’s voracious songwriting extends beyond Gospel into secular territory with his new solo album Day Ain’t Done. Adam Sheets of No Depression praises Sekhani’s work on the album deeming it “one of the best debut albums I have heard in years.”

Day Ain’t Done is layered with Americana staple instrumentation, taking the earthy tones of violin, mandolin, accordion and acoustic guitars to give the feel of a back porch jam on a Louisiana Saturday night. The album’s track “Oilfield Tan” has found its way into regular rotation on local Louisiana and Texas radio stations, resonating amongst an area all too familiar with the demanding industry of oilfield work.

Kevin Sekhani celebrates his Louisiana roots by signing with Louisiana Red Hot Records to help bring Day Ain’t Done to the worldwide stage. With stops at 2014’s South by Southwest music festival, Sekhani has already began to garner excitement for his solo career. Still, whether you catch Kevin Sekhani at a large festival or on a small front porch, you are guaranteed to enjoy one hell of a show.


PRESS

“Sekhani’s alternative country gumbo of guitar, Dobro, fiddle, mandolin and more can hang with the best of them.” – Herman Fuselier, Music Writer

“Hailing from Lafayette, LA but cutting his teeth in the Austin music scene, Kevin Sekhani fuses the styles of country, rock and roll, and back-porch jamming to form a vivacious sound.” – The Independent Weekly

“Kevin Sekhani Cajun singer songwriter and veteran Austin musician makes a rousing debut on New Orleans’ Louisiana Red Hot Records with this year’s Day Ain’t Done” – Chris Gray, Houston Press

“If you like music that gets you dancing, this is an album you should add to your collection” – Gary Schwind, AXS TV

“With a voice slightly reminiscent of a young Steve Earle and solid songwriting, Day Ain’t Done is one of the best albums I have heard in years.” – Adam Sheets, No Depression

“Kevin has always been an exceptional singer and Songwriter” – Bill Carter, Songwriter (Caught in the Crossfire, Willie the Wimp – Stevie Ray Vaughn, Why Get Up – The Fabulous Thunderbirds, Robert Palmer)

“Day Ain’t Done is a rich organic blend of alternative country styled Americana textured with fiddle, accordion and dobro that showcases Sekhani’s Louisiana roots both musically and lyrically” – Cody Daigle, The Daily Advertiser

“Day Ain’t Done is dripping with moss, delivering you right to the levee at Henderson swamp, while Ballad of a Lonely Clown and Jimmy would feel at home on the Grand Ole Opry Stage” – The Daily Advertiser

www.kevinsekhani.com

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