LOUISIANA RED HOT RECORDS

Posts in the CATALOGUE category

NEW ORLEANS JUICE: All Lit Up

allLitUp“Go see Juice and witness New Orleans style funk with a serious edge…serious potential for greatness.” – Offbeat Magazine

One of the most active touring bands to come out of the New Orleans area since the early years of their musical predecessor Galactic, New Orleans Juice’s following was originally built on the jam-band college circuit. (Widespread Panic fans number themselves among Juice’s most loyal stalwarts). The members of Juice come from musical backgrounds as varied as stints with George Porter to studies with the Preservation Hall Jazz Band. All of it and more shows in All Lit Up, Juice’s second CD release. All Lit Up marks a subtle shift away from the jam format and toward a new focus on original songwriting that is having a crossover effect to a still wider audience.


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Wardell Maestropiece

“There is sleek, swinging pop jazz, hip big-band bebop, and the wide-bottomed second-line numbers Tippy  and Hail King Zulu (a definite candidate for the hallowed Carnival canon with its thrilling James Rivers saxophone excursion).”

“Wardell has been leading bands since he formed the Royal Dukes of Rhythm in the mid- 50s. In recent years he has fielded a smoking ensemble known as Wardell and his Slammin  Big Band, an all-star aggregation showcasing his original compositions and arrangements. A 4-track teaser  CD was issued a year ago, introducing drummer-entrepreneur Bunchy Johnson’s great Wild Indian song, Pass It On ; the hard-swinging 3 Tenors for Moose,  dedicated to WWOZ’s Don Big Moose  Jamison; and Frankly Speaking,  Wardell’s tribute to pianist and long-time musical compatriot Ed Frank.

These tunes and six more songs of equal weight and delight (including two versions of Johnson’s terrific Killer Joe  homage titled Crazy Mary ) are finally available to the record-buying public as Maestropiece, the orchestra’s premiere full-length CD on Louisiana Red Hot Records. There is sleek, swinging pop jazz ( El Pavo,  Slammin ), hip big-band bebop ( Chip ), and the wide-bottomed second-line numbers Tippy  and Hail King Zulu  (a definite candidate for the hallowed Carnival canon with its thrilling James Rivers saxophone excursion).

The stellar cast includes Warren Bell Sr., Roderick Paulin, Joe Saulsbury, Julius Hardy and Carl Blouin in the saxophone section; Tracy Griffin, Barney Floyd and Brian Murray among the trumpets; Craig Klein on trombone; the legendary Sam Henry on keyboards; Wardell’s son Brian Quezergue on bass; guitarists Leo Williams and Detroit Brooks; and drummers Bunchy Johnson and Leon Alexander. Quezergue’s crisp, juicy charts are well-played throughout, and the soloists make almost uniformly excellent contributions to the music.” – John Sinclair

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BURTON GAAR: Mighty Long Road

Mighty long road“This is one of those releases that makes it exciting to be a reviewer”

“Gaar is a blues vet with highly seasoned vocal chops, and I’d be willing to bet (and I’m not a betting man) that every reader of this magazine of baby-boomer age would dig this effort just as much as I! There’s nothing not to like.

A rare combination of ingredients that makes the “chill factor” once again a reality to this somewhat jaded writer/player.

Whenever a cut can evoke the dual emotion of chills and tears simultaneously, you know they be on to something. Gaar, as a producer/vocalist, is all the way there! He has assembled an all-star cast of musicians including Allman Brothers alums Jack Pearson and Johnny Neel, and Neville Brothers guitarist Shane Theriot, the licks (and grooves) just keep on comin’.

Gaar’s writing ranks right with Dan Penn and Spooner Oldham, and a cut like “You Didn’t Lie” would be right at home with either Ronnie Milsap or Robert Cray. If you think I’m kidding, check out “Willingly” (and Jack’s solo) and “Truth Is,” then call me in the morning.” – Dave Hussong, Vintage Guitar Magazine

 

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RODERICK PAULIN: RPM

RPM“Paulin possesses a chameleonlike command of his tenor, living up to his legacy as the son of New Orleans trumpeter “Doc” Paulin, who was a contemporary of Louis Armstrong”.

“Saxophonist Roderick Paulin, formerly lead player with ReBirth and Kermit Ruffins’ Big Band, goes out on his own to further the melding of traditional jazz with soulful funk and R&B. The saxophonist wrote two of the eight tracks: “You Know What I Mean,” a swinging shuffle with keyboardist Chuck Chaplain’s synthesized B3 sound, and the hard-grooving “Funk Influences.”
After a funky “Sweet & Tangy (The Chicken),” guitarist Leroy Aych introduces a R&B funk version of the Ramsey Lewis hit “Sun Goddess.” Paulin changes the pace with a nine-minute slow groove on Joe Zawinul’s “Mercy Mercy Mercy.” Drummer Doug Belote’s energizing street beat opens for Paulin’s sizzling sax and Craig Klein’s growling trombone on “The Preacher.” Paulin is positively torrid on the Marvin Gaye hit “What’s Going On?” and takes a slow but sizzling route to “Georgia on My Mind,” well supported by bassist Irving Charles. The musical merger works because Paulin possesses a chameleonlike command of his tenor, living up to his legacy as the son of New Orleans trumpeter “Doc” Paulin, who was a contemporary of Louis Armstrong.” – Patricia Myers, JazzTimes

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CHUBBY CARRIER: Too Hot to Handle

Too Hot“This is truly a new level of “swamp funk” that is going to start rising from the mists of the bayous and taking the country by insidious invasion” – Bob Gottlieb, AllMusic.com

Chubby Carrier and the Bayou Swamp Band have recorded ten CDs over the past 22 years of Chubby’s professional career. His band has traveled all over the world, performing to audiences in all parts of the United States, including Alaska and Hawaii, Canada. North Africa and Europe. Chubby and the band travel 150-175 days a year, taking his act to big festivals such as the New Orleans Jazz Fest, the Chicago Blues Fest. In “Too Hot To Handle”, Chubby and the Bayou Swamp Band kick things off with the fast-paced name track, evolving into a journey of funky authenticity that travels through epic tracks like “Cisco Kid” and “Fire on the Mountain”. The album’s conclusion, the 10-minute “Rock Me Baby” is full of Zydeco flavor and cajun beats that will make the listener reminisce of a warm Sunday afternoon by the Louisiana swamps.


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