“One of the most powerful, knock-the-paint-of-the-wall vocalists South Louisiana has ever produced” – Offbeat Magazine
A premier, powerhouse vocalist from the Spanish Creoles of Bayou Lafourche of Louisiana, the sensationally soulful Gregg Martinez was recognized early on in local churches and bars with comparisons to Sam Cooke and Luther Vandross. The young Martinez rapidly ascended all the way to an exclusive contract with billionaire Donald Trump in Atlantic City, and a seven- figure recording deal with multi-platinum Philly producers Victor Carstarphen and Keith Benson. When the bubble burst on the brink of stardom, Martinez found himself returning to his native Bayou, crooning the Blues and Soul of his roots, ultimately bringing him the recent incredible honor of singing for the funeral of the great Percy Sledge.
On his latest collection, Soul of the Bayou, Gregg Martinez delivers the deep, healing kind of soul that only this veteran baritone knows how to conjure. Produced and engineered by Grammy award-winning Tony Daigle (Hunter Hayes, John Cleary), Martinez’s 11th studio album showcases his astounding versatility as a vocalist and performer. While the blues-driven grooves of “I Can’t Stand the Rain” and “If You Want Me to Stay” prove that Martinez can still pack the dance floor, the mournfully piercing ballads of “Who’s Loving You” and “You’ve Got to Hurt Before You Heal” remind listeners that this is a voice of a man who has lived through it all. With stellar, standout performances from Charles Ventre on keyboards, Gregg Kingston on slide guitar, and Pat Breaux on sax, not to mention all the grit guitar titan Sonny Landreth offers on “That Old Wind,” Soul of the Bayou soars out of the swamps and onto a plain untouchable by time.