“Now, thanks to Jazznocracy, the happy results of Belletto’s incarnation as big band “swing king” are available to all”. 

In the late 1940s, alto saxophonist Al Belletto had to leave his native New Orleans in order to pursue the siren song of bop. At the helm of the Al Belletto Sextet, the altoist found national success. Although previously rejected by the Crescent City’s traditional jazz establishment, Belletto returned home in the 1960s to eventually win over the hometown folks.

In 1992, while helming various small groups, Belletto took over the reins of Chuck Easterling’s Big Band. Now, thanks to Jazznocracy, the happy results of Belletto’s incarnation as big band “swing king” are available to all. Among the features are enlarged Belletto Sextet hits like “Relaxin’,” which during the 1950s themed Dick Martin’s popular radio show, Moonglow With Martin, and chestnuts by Ellington, plus standards such as “Pennies From Heaven.” Cookin’!” – Chuck Berg, JazzTimes

“City of Sounds, an octet session, is marked by tutti passages, polyphony and rhythms indigenous to the Crescent City”. 

“Jones plays a clean, take-your-time, declarative lead throughout, as befits his experience with the Hurricane Brass Band, the Dirty Dozen Brass Band, the Louisiana Repertory Jazz Ensemble and the Harry Connick, Jr. Band. The album was produced by Danish trombonist Ole “Fessor” Lindgreen. Two other Danes appear on the album: clarinetist Jorgen Svare and bassist Ole “Skipper” Mosgaard. Besides Jones, the New Orleans musicians are tenor saxophonist Ralph H. Johnson, guitarist Steve Blailock, pianist Ed Frank and drummer Herman Lebeaux.

The rocking title track opens the album. “Holy Roller” has changes like “The Preacher,” and the acquit acquit themselves with appropriate testimonials. Svare shines in a Bigard-like manner on “Blue Frog” and “Jungle Blues.” The rhythm section is infectious throughout the album-uncluttered, uplifting and respectful of tradition. The Danes sound thoroughly steeped in the classic and more contemporary Crescent City styles; they make themselves right at home among the locals.” – Owen Cordle, JazzTimes